L. A. Bachman-Painter
I got to spend a few hours with the lovely Lisa Bachman in her
above-garage studio in South Nashville. Lisa’s work is prolific for she has
several different approaches she uses when making her work. For her latest
series, “New Skin” she applies watercolor and other media like colored pencil
and sumi ink on paper. Before she starts painting, she goes through photo
albums from her youth and finds figures whose position in the photograph create
interesting profiles or silhouettes. She then draws that shape on the paper,
magnifying it many times. She then wets the paper and applies watercolor. This
process of wet on wet causes the paint to spread. Mixed media is then added to
create detail-exploding, aquamarine-like, flowery splashes of feathery texture.
L. A. Bachman-Painter
I got to spend a few hours
with the lovely Lisa Bachman in her above-garage studio in South Nashville.
Lisa’s work is prolific for she has several different approaches she uses when
making her work. For her latest series, “New Skin” she applies watercolor and
other media like colored pencil and sumi ink on paper. Before she starts
painting, she goes through photo albums from her youth and finds figures whose
position in the photograph create interesting profiles or silhouettes. She then
draws that shape on the paper, magnifying it many times. She then wets the
paper and applies watercolor. This process of wet on wet causes the paint to
spread. Mixed media is then added to create detail-exploding, aquamarine-like,
flowery splashes of feathery texture.
What is the theme of your
work?
The theme of my work
definitely draws from self-expression. I can’t take that out of my work. As I’m
in the process of self-expression I can’t help but put myself in the bigger
picture when I work on a series. Like exploring universal topics such as
family, belief, responsibility, failure and desire. For example last year when
I did “The Give and Take” series I was dealing with the joys and compromises of
human intimacy. This, I believe is something that we can all relate to; giving
up something to be part of a relationship-whether it’s in family, friendships
or other relationships.
What inspires your work?
It’s inspired by what I see
on a daily basis (shapes in food preparation, magazines, film, the Nashville
land/city scape). I make time to visit museums, art galleries, and friends’
studios, so all this local work greatly inspires me as well. The Frist brings
in a lot of international work so I go there as often as possible for
inspiration.
What are the goals for your
work?
First and foremost, my
biggest goal is to keep challenging myself in my medium, to master it. I want
to get more comfortable with my different medium and push them in directions I
haven’t before. Another goal is the more practical side of being a sustainable
artist. Up to now the goal has been for the work to fund itself –sales have
allowed me to buy more materials for artwork and visit museums for future
inspiration. But ultimately, I’d love to be able to meet all my living expenses
from my artwork.
What are your thoughts on
the Nashville Arts Scene?
I think it’s getting larger
and stronger. It’s also becoming more well-known in Nashville and beyond
outside the art community. However I think it’d benefit from a healthy criticism,
especially in critical writing of shows and new work. Now that we have more
gallery districts with the introduction of Fort Houston area, this will
hopefully create critical dialogue that will only benefit our art community as
a whole.
You can learn more about Lisa's work at http://labachman.com/home.html
