Amanda Joy Brown-Painter
The other day I visited the
studio of painter Amanda Brown at Ground Floor Gallery, a relatively new
gallery and studio space on 4th Avenue. Watching Amanda work was fascinating. She paints in a
drizzle technique; dripping paint off the wooden part of a brush, so the brush never
touches the canvas. This technique creates a multitude of lines and curves that
seem to be interconnected. But what’s fascinating about these lines and curves
is that faces, bodies, and depictions of everyday life can be seen. It really
made me want to know more about the work. She took a break from painting and
gave me the lowdown on her process.
What is the theme of your work?
Essentially, it’s about the
tension between the controlled and the accidental using crowds as a metaphor
for this idea. My work also addresses the idea of the individual and the
collective-the idea that the individual is also part of the greater whole. I am
investigating the idea of the crowd having its own identity as well as its
individuals having their own identities at the same time.
What is the inspiration of your work?
The desire to make sense
from chaos inspires me to make my work, as well as a fascination with humanity,
especially crowd psychology. I love to people watch, and the nuances I see
inspires my work as well. I used to live in France and I loved people watching
when I was there.
As far as other artists go, I've
loved the work of Vija Celmins for her love of mimicry, detail, and preference
for covering her surfaces with so much detail it starts to resemble a
machine-made texture, except it's carefully rendered by a human hand. My
Chinese painting course furthered my interest in the possibilities of line and
gave me an appreciation for working with a certain level of flow and working
with a medium instead of fighting it. I am very inspired by the idea of
repetition and how beautiful it is, especially imperfect repetition, or
variations on a theme (which actually isn't repetition) that is prevalent in
nature. Lastly, I am fascinated by science and social behavior. This is driving
my current series where I take this idea of underlying patterns and connect it
with analog static, which is created by surrounding electromagnetic waves,
coming from a combination of cosmic radiation, radiation coming from the
immediate environment, and the internal workings of a screen. I see this as an
allegory of the evolution of social behavior.
What are the goals for your work?
I’d like for people to be
drawn to the work; to want to get up close to it. To see individual people and
detail, to notice the interactions that are happening between the characters.
But I’d also like them to step away from the work and see how the line work
starts to blend together and become almost like a pattern. The viewer then
hopefully sees that all the characters are joined together by this line work
which conveys a sense of connectivity.
What are your thoughts on the Nashville art scene?
I love it because it’s small
enough where you don’t feel anonymous but large enough so there is diversity
amongst the artists. I’m always discovering new work and meeting new people,
but still feel part of the community. It’s exciting because there are new
galleries popping up. I’m looking forward to see what the future holds for the
arts here in Nashville.
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